Charles Rasmussen

Cello Teacher

Charles Rasmussen

SAA Member


Milwaukee, WI
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Charlie Rasmussen enjoys an active career as both a modern and Baroque cellist and as a teacher at the Wisconsin Conservatory of Music. Mr. Rasmussen was previously on faculty at the Talent Education Suzuki School in Norwalk, CT where he taught private and group cello lessons, musicianship classes, and coached chamber ensembles. Mr. Rasmussen strives to help his students develop a lifelong passion for music and cello playing.

Mr. Rasmussen holds a Masters of Music in Cello Performance from the University of North Carolina, Greensboro (UNCG), where he was a graduate assistant and studied with Dr. Alexander Ezerman. He also received a Post-Baccalaureate Certificate in Music Theory from UNCG. Before his studies at UNCG, Mr. Rasmussen graduated magna cum laude with a Bachelor of the Arts degree in music from Luther College where he studied with Dr. Eric Kutz. Mr. Rasmussen studied the Suzuki Method with Carol Tarr at the University of Denver, and he is trained to teach Books 1-10 through the Suzuki Association of the Americas.

Mr. Rasmussen performed as cellist in the Spiritoso Quartet from 2015-2016 and the Immer String Quartet while he was a student at UNCG. As an orchestral musician, Mr. Rasmussen has served as a principal cellist of the Danville Symphony Orchestra (VA), University of North Carolina Symphony Orchestra, and the Luther College Philharmonia. He has also performed with the Fayetteville and Norwalk Symphonies. An advocate of new music, Mr. Rasmussen performed in the premiere of Alejandro Rutty’s Cantabile Hop at the 2012 North Carolina Music Teacher’s Association in Chapel Hill and premiered a string quartet by Elise Grant in 2015. He has recorded for Grammy Award-winning Broadway and film composer Paul Bogaev.

As a Baroque cellist, Mr. Rasmussen has appeared at the Boston Early Music Festival Fringe Series with the New York Continuo Collective. He has performed on multiple early music recitals at the Yale University Institute of Sacred Music including a collaboration with professor James Taylor. Mr. Rasmussen soloed with Greensboro Early Music and presented solo recitals through the Seabury Academy of the Arts in Norwalk, CT. He previously performed in the Vitali Ensemble with Baroque guitarist Meredith Connie and presented concerts across New England. An active educator, Mr. Rasmussen has presented lecture recitals about historical performance practice at the University of Wisconsin-Whitewater, for the Colorado Symphony Study Group in Denver, and at locations around Milwaukee. He has presented early music masterclasses and workshops at the University of Wisconsin-Whitewater and for Fairfield County (CT) CelloFest.